Presentation: “Twhat?” mashup

Prototype presentation: “Twhat?” Software-software mashup using Google Maps and Twitter.

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Instruction Sets for Strangers- Site location

InstructionSet

In the end we chose the HighLine.

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Stranger Project

 

Stranger Project

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readings [week 5]

I loved both readings, really can’t pick a favourite this week. Both of them were wonderful!

The reading by RCA was really interesting on many levels; first was how the implemented a non-design/fine-arts concept into a design process (as opposed to borrowing aesthetics which is way more common i.e. rene magritte’s work constantly gets lifted/referenced in many contemporary advertisements. the trend is always towards borrowing aesthetic elements, not process elements) second was how they purposely chose to *not* over-analyse the ‘user-group’ so to speak – instead they relied on interpretation and a kind of very personal, open-ended data gathering vastly different from the kind of data-mining that a lot of other companies practice (where they try to pigeon-hole each user)  The idea of an impressionist-data, is so lovely; almost like splashes of watercolour, loose and flowing and overlapping as it bleeds to the edges of the paper.

The second reading was really awesome too – I’ve been reading up on affordances/agency as a fun kinda thing, and the idea of ledges for sitting and how people organised themselves based on what they think it could be used for is absolutely brilliant. The documentary was pretty fantastic as well (love the narrator!) and it’s quite funny how so many of the things he said still applies, today.

 

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Instruction Sets for Strangers

Team AsterisK:

location_presentation

 

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Harvestworks’ Event!!

Hey Everyone!!

Harvestworks is having a benefit party next Tuesday! Please check it out! It’s going to be a lot of fun! And I will be there!!!

FB invite to Harvestworks\’ Benefit!! 

most of you probably already received a Facebook invite from me but please go!!

 

I will post the webpage soon!!

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Readings: Public Places

I found the sitting space reading to be the most interesting because I can relate to it the most. When I was working 4 to 5 days a week I would try to go out of my work environment to get away from the chaos during my lunch breaks. When looking for a place to eat I would find myself going to central park where they have the open spaces to lounge and people watch. One time I could not find a place to sit in my normal spot, I was also by myself, and had to sit on slanted hill area. After a few minutes this creepy guy came and sat next to me then began to harass me. After that I always try to sit in places that are fairly populated unless I am with other people.

When going to lunch my coworkers and I also have certain areas we like to go. So, it is discussed before we venture out for our breaks. Most of the time if it is nice outside we try to avoid sitting in restaurants, again to avoid the chaos of all the tourists. When you work underground in an environment where it’s always a fire hazard it’s nice to get out and get some fresh air.

During the winter time a lot of us go to SONYS indoor plaza area. It is set up with a glass roof and walls, almost as if you were outside. They also put public art throughout the area. During the summer I don’t mind going there but I would rather be outside because the space seems very sterile to me.

The idea that woman can define a  better resting/sitting space then men is an interesting way to study a space. I have noticed that woman have more to say about where thy are going to be going then men do. Most of the time mean just want to relax and do whatever needs to be done. They don’t put much thought into their actions. When going to lunch with some of the guys, because there are majority men at my work location, I have to say they always pick the worst places to sit and I’m always the one who says something. Ex. “Hey guys instead of sitting in the sun, lets sit in the shade.”.

One of the articles seems to be outdated because it stats that Bryant Park isn’t a good location because of drug and violence problems. From what I see today it looks like they have changed Bryant Park from it’s description. There are no longer large fences surrounding the park and the stairs going up to the sitting area seem to be very inviting. They also have a nice sitting area. In the winter they set up an ice skating and there is a winter market. From what I have heard Union Square was about the same, people would go there to get high and sell drugs. It was not a safe area. Now when you walk through Union Square you want to stop and enjoy where you are. They have the same green chairs, also Jazz Bands from the New School perform in the park fairly often.

The fact that they have markets in both locations has made it more of a public environment. More people will be there, along with performers. It makes the space much more enjoyable and comfortable for people to relax.

For this upcoming project it for a public piece it seems as if we need to pick an open, inviting space, that will allow the viewers to feel comfortable enough to interact with the object. It should also be somewhat of a busy space, no one is going to approach an art piece in a dead location, that will make them a “target”

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Reading Response

Cultural Probes

This is a good way to learn social behavior and gather information about target people and their activities. However, I think this kind of activity require some funds to support providing equipment and collecting data. It can still be cheap and easy to conduct like using notepaper but one has to consider the cost into their design. People respond positively to attractive kits. On the other hand, unconventional way might cause people does not know how to correspond it. So one have to be careful when choosing the appropriate and useful method to conduct cultural probes. Recording method can be different from writing to digital picture depends on the research. So far, I have found it has been useful in medical research to track long-term effect from patient.

Through this article, I was thinking of how to put this in food project. This is the mechanic of cultural probe.

Recently, I have read a report on newspaper that eating healthier in United States is expansive. Some families cannot even afford such expanses. Through the research, I hope can gather information of people’s eating habits to learn people’s eating habits. And most importantly, I want to know if this research changes their eating habits.

My plan at the moment is to use a food diary to learn my participants. I will ask the participant to record what foods were eaten and shopping grocery that occur and other daily eating habits. Also, participants have to document the meaning of the food they consume. I want to ask questions like what they think about healthy food, what they think about unhealthy food, definitions of sustainability, foods that people don’t like, favorite recipes, or frustrations to do with food. My plan to go on this project is using web platform. Three items need to put in record:

  1. Diary plan on that day.
  2. A picture of what they really eat.
  3. What they think about what they consume?

Rough Schedule:
Week 1: Present and explain diary to household.
Week 2: Household complete the diary and response.
Week 3: Analyze the collected data.
Week4: Feed back to each household of this research report.

I have not thought through about how to use these data to help improving healthy diet. But I can put this data into a visualize form to see what will happened. Also, I think giving the result to participant will be reasonable but I really do not know how long it take to analyze or how many families will volunteer to go in the project. The whole plan is only on draft. I will think about it more.

“The Social Life of Urban Spaces” William Whyte 

While I see the topic, I was thinking: ”What’s going on here? Now I have to learn architect or landscape design, too?“ At first, I think it is too broad to think about open space because it will need collaboration with architect and space design suppose one consider environment into the design. Still, It does not need to be that complicated if focusing on people. It might be a simple event like drinking coffee in a park and listening the street performance. In fact, I am wondering if social life on the street corner is a consequence because “the space is there.”  It’s there, why not use it? So designer and artist can put their work and see the consequence of how people react. I want to learn more on the open space art. So I check out other reference.

In open space, artists have to put their ambitious thoughts behind the needs of the public. It does not usually goes in this way, but if not, people will find out the practical way as they think it should be. So, whether the works has been defined like a chair or sculpture might be important. More compromise will come when designing in open space. You have to know the local culture and how the work blends in the space whether in culture or social activities in order to create feeling of harmony unless it is intentional to create impact on the public. The article presents the examples to explain like the chair sitting height, amount of the chair, and movable chair. We start to think from the aspect of function, aesthetic value and human response.

This is a singing chair that you have to wind clockwork before sitting. The device is related to the meaning of resting and working. While you rest on the singing chair, it is actually working for you. I want to talk more on one of my favorite artist Dennis Oppenheim. This is his work.

Left: BUS HOME 2002  Steel, perforated steel, acrylic, concrete, paint, electric light  26′ x100′ x50′

Why I want to talk about him? I think sculpture is an important source of muse. Thorough the shape in a space, I can think of different connection without limits. I never really understand what concept does the artist want to argue. Perhaps letting viewer to imagine by himself or herself is the purpose of sculpture. Sometimes, even a installation from the store can create a different touch on the city.

 

a sculpture from a store in German.

Recently I found the motion Art in Union square subway. It’s not clean space and people just walk though it and keep going their destination. Whether it is intentional to be in this way I do not know.  I myself found it quite amazing but if the work was put in a museum. The feeling of this work will be interrelated in a totally different way. Nevertheless,  In a plaza, people normally gather around where musician and street performer. It can be tricky because how you decide to use the space you have is important. Some of the sidewalks in New York City does not provide proper place for the public. At Union square, there are a lot of interesting street performer. Most of them are musician. It does not matter how well they perform, people just gather there and see. I think there is a great difference between real human and installation art. One is actively respond to you the other is sitting there waiting for you to discover.

An invincible man. Paris.

 

 

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Plazas and Cultural Probes

1. “The Social Life of Urban Spaces” William Whyte

William Whyte writes about the importance and interaction public spaces in New York City. Collecting data from time lapsed cameras, he compares various plazas around the city, and denotes the flow of people as well as the usability of the space. In the first chapter he investigates social space by finding the areas in which people like to congregate. He finds that when people are engaged in conversation, they tend to stand in the middle of pedestrian traffic flow. He also finds that women prefer to sit in protected areas, while men like to sit in the outer areas, looking over the street, as if they were guarding. People tend to gather around landmarks or light posts, normally around delineated areas. Rarely do people feel comfortable in the middle of a vast open area, Whyte makes the assumption that this is part of our primal instinct of survival. In chapter 2, his study begins to take shape by analyzing the most important factors that make a plaza more useful. The first assumption was the position of the sun around the plaza. They found that though this did have a huge impact on the usability of the space, throughout all plazas there were even sunny and shady areas. The second factor was the availability of open space. In their results they found no commonality between the popularity of the spaces and the availability of open space. Sitting space was the only obvious correlation between availability and popularity. Whyte explores more factors such as size of ledges and plaza visibility that make a public space more fruitful. Chapter 5 explains the importance that social interaction plays in these public areas. Whyte talks about interaction of people amongst themselves in response to an outside event or object. He calls this method triangulation. An example is two people that begin to talk about a specific happening, may that be a performer in the plaza, or a monumental object such as a large sculpture. This spark that ignites the commonality effect on strangers is special, and not easily achievable in a large city, where most people are rather fast paced and focused on their personal goals. “The Social Life of Urban Spaces” makes an interesting survey of the life and usability of public spaces. It investigates people’s true ideal public space.

2.“Cultural Probes” Bill Gaver, Tony Dunne, & Elena Pacenti

This essay explains Graver, Dunne, and Panceti’s novel approach to researching through the tools of design and tangeability. These designers had the task to interact and investigate elderly groups in order to design a better atmosphere for them. Supported by the EU, this experiment took place in 13 European countries. The main goal was to attain an honest and personal perspective of these elderly people’s lives. The design team decided to go to each of these homes to present the project to the elderly in person. Showing the material in person, is the first and most important aspect of making the initial personal connection. Once the designers talked and explained the purpose of their visit, they presented their audience with a packet of materials, the “Cultural Probes”. The design of this packet is simple to allow the user to feel comfortable in participating. It’s simple hand-made aesthetic gives a tremendous advantage to the designers, since now the instructions that accompany every artifact have a subtle pre-embedded journalistic appearance. This experiment’s success comes from the variety of tasks distributed in the packet. These designers made many astute decisions in preparing the packet, but their readings of the results were the most impressive. They realized that if a group of elderly did not respond to their tasks that they must be more or less satisfied with where they are. Conversely, if they were avid at responding, they needed more stimulation, and community involvement. “Cultural Probes” is a fascinating experiment that teaches us about preparing field research material and also about reading the details of results.

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Commentary on “Cultural Probes”

Johan Huizinga, Dutch historian and one of the founders of modern cultural history has advocated the importance of “play” element of culture and society. In the foreword of his 1938 book titled “Homo Ludens” or “Man the Player” he suggests that “play is primary to and a necessary (though not sufficient) condition of the generation of culture.

“Homo Ludens” appears as the first word opening the paper titled “Cultural Probes”, and rightfully so. The team of designer/researchers who have set out to probe the interactions of the elderly with their surrounding environment take advantage of the element of “play” throughout the research process to come up with “inspirational” responses on the basis of which they can propose their solutions.

Design through research is undoubtedly an efficient process of a high necessity that can ensure maximum relevance of solution to problems. But in situations such as that discussed in the paper where conventional and scientific approach of research such as questionnaires will not enlighten every aspect of the lives and interactions of the subjects, “play” can play a crucial role.

In fact, by providing proper tools and instructions for the subjects, and inviting them to explore their environment, we are delicately passing the task of research on to the subjects themselves, ensuring maximum relevance and purity of gathered data. Furthermore, through the advantages of the playful nature of our research instruments -in this case camera, photo album, media diary and postcards- more personal and inspirational results can be expected: the camera acts as a visual diary illustrating things as they are, and things as the participants aspires to be, the photo album instates the subjects in the position of storytellers, bringing out the highlights of their lives; Things, people, times, places and events that actually matter to them; Postcards as questionnaires that leave room for many interpretations of the question, and finally, maps that pin down not places and routes and markets, but the psychological response of the subjects toward all those.

The most intuitive and efficient research tool discussed in the paper, in my opinion, is the media diary. The media query is actually estimating the social network surrounding the subjects, and measure media impact.

Throughout the process, the group of researchers/designers remain fully loyal to their purpose:  trying to “shift the perception” of technology among other things -such as  aesthetics, culture and politicss- rather than designing a product and delivering to them, and Looking for inspirations to simulate imagination, rather than data that defines problems.

Not being obliged to work, and provided with more time to explore their environment, these researching co-agents are “Homo Luden” that examine their needs by exploratory sensory evaluation of their own lives, and delivering outcomes that are far above and beyond raw data, but have implications of the possible solutions imbedded in them.

The final note, would be the role of “aesthetics” in finding and implementing the solution. The designers’ approach toward aesthetics, viewing it as more that a mere “luxury” and reclaiming it as a “right” greatly contributes to seeking proper solutions for such a delicate design/problem at hand.

 

 

 

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